Chashme Baddoor. Or Bad Odour

The new Chasme Baddoor is so bad, that it makes you wonder whether David Dhawan has really seen the original one. Or, did someone just give him the script of the older one?

The classic. The one that Sai Paranjpe made. The one that had Farookh Shaikh, Dipti Naval, Ravi Vasvani, Rakesh Bedi, and Saeed Jaffrey. The one that had only a few songs but even that tiny number included two classics – Kahan Se Aaye Badra, and Kaali Ghodi Dwaar Khadi. The one that was so natural that it seemed like it was happening in your neighborhood. The one that featured one of the most iconic non-existent brands ever – Chamko – jhaagwala, khushbudaar Chamko. The one where the smallest of acts, like the one of sharing a cigarette, or going on a bike together was given a magical touch of endearment. The one… Yeah. You get it.

The one.. was subtle. This one is loud and juvenile. The one … was understated. This one is an attack on the senses. This one has pathetic and randomly thrown music, compared to the adequate and beautiful music of The One.
The only thing where I do not want to blame this one is that at least two of the four central figures have tried to act. And the peripherals show up with decent preparation. Remember Saeed Jaffrey. Remember the short powerful sequences at the Paan Bidi shop. This one has Rishi Kapoor running a bar in Goa. And because David Dhawan did not trust him enough, a Lillette Dubey is added as his romantic interest. And two Anupam Khers. And Bharti Achrekar. Not that they are bad, but it just tells you that some calculation has gone wrong, when one powerful Saeed Jaffrey cannot be sufficiently replaced by five good actors. And I can never get over the fact Directors like David Dhawan always reduce such a fine actor as Anupam Kher to such caricaturish characters. The most disappointing presence of the lot, though, is – not the leading lady (even though “dam nahi hai boss!”) – Ali Zafar. Even Arjun Rampal would seem to have more variety to his expressions. In comparison. If you want to. That is. But why would you!!

Long after it got over, I asked myself if my hatred is so high because of the comparision with The One. Yes. Halo effect did happen. BUT. Even if I try to think about the positives, to be honest, I can only think of two – my first experience of watching Siddharth act as a buffoon and a crass lad, and Divyendu Barua, quasi repeating his Pyaar Ka Panchnama act. They do try hard to salvage.
Please do not watch it. I implore you. Let’s not encourage such travesties as David Dhawan’s Chashme Baddoor and RGV Ki Aag.

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About Amit Das
Conventional, boring, believer, poet, Shayar (to be precise), lover of music, musical instruments, and all that can be called music (theoretically or metaphorically), jack of all master of none, more of a reader less of a writer, arbit philosopher, foolish debater.. and many more such things.. like so many people!

4 Responses to Chashme Baddoor. Or Bad Odour

  1. Akshar says:

    Nice blog. I watch all these movies on http://www.moviekaka.com as it directs me to legal platforms for best quality streaming free of cost!!

  2. Arindam says:

    Its sad that after the Basu Chatterjees, Sai Paranjpes, Risikesh Mukherjees, Tapan Sinhas, Meera Nairs, Ketan Mehtas, Aparna Sens ( sorry if I’m extending the list) we have to witness the David Dhawans & Karan Johars. This downfall of the Indian cinema has actually stopped people like us from heading the theaters.
    I GUESS its amusing that directors like DDs & KJs have some where diluted the art of movie making. Good that you have written such a nice article juxtaposing the differences.

    Cheers!

    http://heritagehiker.wordpress.com/

  3. Shilpi says:

    Thanks for the review.You saved three hours of torture.
    Today a lot of good movies are bring made, but one thing Bollywood cannot get today (even the greatest directors today) – is the simplicity of past. And I am not just saying it in a negative way – good directors want to be perfect in sets, the dialogues, the editing….
    So any movie based on that simplicity and charm, can simply not be remade

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