Maazi/ Ateet/ Past)

मेरा माजी मेरे चेहरे पे छुपा बैठा है
झुर्रियों से भरी ये शाम बड़ी बोझिल है

میرا ماضی میرے چہرے پی چھپا بیٹھا ہے
جھرریوں سے بھری یہ شام بدی بوجھل ہے

Kinaare (किनारे)

एक ख्वाब हो तुम ….
और मेरा डर
कि अधूरा न रह जाऊं
वक़्त के साए में…

ठहरी हुई
ये कागज़ कि नाव
किनारे से लग कर
लहरों से लड़ कर,
थक कर
फिर तुम्हारी साँसों से
ज़िन्दगी जीने का सबब पूछेगी…

और फिर
तुम मेरा हाथ थाम लेना …
मेरे डर को किनारों की जरूरत है…
इस कागज़ की नाव को
बह जाने दो..
कुछ किनारे समंदर के बीच होते हैं….

Sreesanth da man?

One of my big arguments before today’s semifinal between SL and NZ was that tomorrow’s 11th man toss-up for India should be between Sreesanth and Chawla. No Munaf, No Nehra. If SL win, India should play Sreesanth, and if NZ wins, India should play Chawla. Now that SL has won it, Sree it is!

Let’s look at SL – they have largely been clinical so far. Except when they lost to Pak. That was also the only occasion none of their top four scored a half century. They did get exposed against NZ this time as well. Let’s face it – SL have a below average middle order (except Angelo, who I have extreme respect for). Moreover, they have four pure bowlers who can hardly bat. So, the recipe to defeat SL is easy to understand and difficult to implement. Get 3 of their top 4 back cheaply.

Pak has been a rather poor batting side getting whittled for less than 200 on more than one occasion in an otherwise high scoring tournament, and a tremendous bowling side managing to restrict the opposition nevertheless. Umar Akmal has been the only relatively consistent batsman. There are no tonners in the side, and their war veteran, Younis Khan, has looked out of sorts. Also, not surprisingly, they have looked more susceptible to pace than spin.

Indian batting has been positive, except for the Powerplay collapses, with Sachin, Sehwag, Gautam, Yuvraj, Virat (and Raina) amongst runs. Indian bowling, on the other hand, has struggled to get rid of top order batsmen. Tamim Iqbal (BAN), Strauss (ENG), Porterfield (IRE), Amla (SA), Smith (WI), Haddin (AUS) – one of the openers has scored a half century in 6 out of 7 matches they’ve played so far. So, it can be safely said that they need something different against SL. The problem with Chawla, Nehra and Munaf is that there are no surprises (barring Chawla’s googly) when it comes to them running in, throwing ball, and going back for the next one. India’s 11th player has been, generally speaking, a value destroyer for the team. Not really contributing much or bleeding sufficiently to cause enough worries in a close match.

This brings me to the conclusion that India should play Sreesanth in both the matches. Sree has some pace, and a lot of histrionics in him, which will come handy. He is not predictable. He himself doesn’t know what he will come up with next, and can produce some unplayable deliveries by design or by accident every now and then. Mohali pitch should have something for pacers. Both SL and Pak have reasonable good players of spin bowling. Lastly, looking at the 12 non-descript overs bowled by Munaf in the last two matches, I am sure MSD can hide Sree in a corner, if required. He is definitely a better fielder than Munaf, and hopefully, will talk sEo much that some opposition batsman will lose concentration.

Let’s spare a thought from Pakistan’s perspective as well. They will have to win it through their bowling. However, it’s the inadequacy of their batting that makes me wonder if they can win. Their bench is not likely throw a batsman who can take care of their woes. They can surely hope that a Younis/Misbah does an Inzamam. But then, Pakistan team hasn’t really every performed up to the predictions. They, usually, write their own destiny, a minute at a time.

However, there is a very disturbing reality to “what happens if Pakistan defeats India”. For one, India not playing the finals would mean a likely 70%+ reduction in the potential revenue from the final (for various parties), just as India playing the finals would maybe increase the currently projected revenues by 20% (these are educated guesses). The producers and directors will have to set the IPL pre and post-production work in full speed right away. Dhoni will have to request Jharkhand Govt. to increase the protection levels for his family. Sachin will be heartbroken. And a nation full of zealots will look for a new religion.

 

Eleventh Hour googly:Eleventh Man

One of my big arguments before today’s semifinal between SL and NZ was that tomorrow’s 11th man toss-up for India should be between Sreesanth and Chawla. No Munaf, No Nehra. If SL win, India should play Sreesanth, and if NZ wins, India should play Chawla. Now that SL has won it, Sree it is!

Let’s look at SL – they have largely been clinical so far. Except when they lost to Pak. That was also the only occasion none of their top four scored a half century. They did get exposed against NZ this time as well. Let’s face it – SL have a below average middle order (). Moreover, they have four pure bowlers who can hardly bat. So, the recipe to defeat SL is easy to understand and difficult to implement. Get 3 of their top 4 back cheaply.

[AD1] Pak has been a rather poor batting side getting whittled for less than 200 on more than one occasion in an otherwise high scoring tournament, and a tremendous bowling side managing to restrict the opposition nevertheless. Umar Akmal has been the only relatively consistent batsman. There are no tonners in the side, and their war veteran, Younis Khan, has looked out of sorts. Also, not surprisingly, they have looked more susceptible to pace than spin.

Indian batting has been positive, except for the Powerplay collapses, with Sachin, Sehwag, Gautam, Yuvraj, Virat (and Raina) amongst runs. Indian bowling, on the other hand, has struggled to get rid of top order batsmen. Tamim Iqbal (BAN), Strauss (ENG), Porterfield (IRE), Amla (SA), Smith (WI), Haddin (AUS) – one of the openers has scored a half century in 6 out of 7 matches they’ve played so far. So, it can be safely said that they need something different against SL. The problem with Chawla, Nehra and Munaf is that there are no surprises (barring Chawla’s googly) when it comes to them running in, throwing ball, and going back for the next one. India’s 11th player has been, generally speaking, a value destroyer for the team. Not really contributing much or bleeding sufficiently to cause enough worries in a close match.

This brings me to the conclusion that India should play Sreesanth in both the matches. Sree has some pace, and a lot of histrionics in him, which will come handy. He is not predictable. He himself doesn’t know what he will come up with next, and can produce some unplayable deliveries by design or by accident every now and then. Mohali pitch should have something for pacers. Both SL and Pak have reasonable good players of spin bowling. Lastly, looking at the 12 non-descript overs bowled by Munaf in the last two matches, I am sure MSD can hide Sree in a corner, if required. He is definitely a better fielder than Munaf, and hopefully, will talk so much that some opposition batsman will lose concentration.

Coming back to today’s match;Let’s spare a thought from Pakistan’s perspective as well. They will have to win it through their bowling. However, it’s the inadequacy of their batting that makes me wonder if they can win. Their bench is not likely throw a batsman who can take care of their woes. They can surely hope that a Younis/Misbah does an Inzamam. But then, Pakistan team hasn’t really every performed up to the predictions. They, usually, write their own destiny, a minute at a time.

However, there is a very disturbing reality to “what happens if Pakistan defeats India”. For one, India not playing the finals would mean a likely 70%+ reduction in the potential revenue from the final (for various parties), just as India playing the finals would maybe increase the currently projected revenues by 20% (these are educated guesses). The producers and directors will have to set the IPL pre and post-production work in full speed right away. Sachin will be heartbroken. And a nation full of zealots will look for a new religion.

Dhoni will have to request Jharkhand Govt. to increase the protection levels for his family. Maybe its time for another eleventh hour googly from him and get Sree in.


 

[AD1]Do u want it after 3rd and 4th para…talk of pak side first and then Srilanka as first matc h is Pakistan. Migfht go better after the intro

India-Pak Semi: The Pinnacle of Advertising in India

Today should be noted in the books of history. It doesn’t happen too often. And it’s unlikely to happen again in the next 8 years. As India play Pakistan in the semifinal of Cricket World Cup, the world of adveritsing would have changed, and the price barriers would have set a new benchmark for how expensive an ad slot can be. It will be interesting if any weed smoking son of the gun can calculate the real ROI of an ad slot today.
Here’s the opportunity (the ‘for dummies” version) –

  • Everyone’s watching – It’s that one topic. If you are marginally aware of cricket, you’d be watching it. If you’re not, then you’d be forced to, because the others won’t let you put anything else on the tube.
  • The same thing – The match is being telecast on three channels I guess- DD, Star Cricket, Star Sports. Each of them have their reach and captive audience. English speaking audience would prefer Star Cricket, given the commentator panel. DD would be the default for the parts of the country where people don’t still have cable tv/ set top boxes.
  • And they are confident India would win – the confidence of the nation, because despite the relative strengths or weaknesses, Pakistan has never defeated India in a world cup match. Oz and SL have. And that’s why the emotions are a lot more subdued. Lots of critics would weigh the balance of the two sides. And lots of people on the street would feel that we are going to the final. Its as much a celebration as it is an encounter
  • Yet they expect it and want it to be competitive – It has usually been like that. And more so in our head than in reality. A 50 run partnership in another match can be seen as normal, but would be seen as a high pressure situation for the bowling side today. So, people are going to take it to the wire, irrespective of the end score.
  • Without any lapse of attention – Its an 8 hour+ marathon. That tension would means a higher adrenalin rush, and greater attention to the most minute details of your ad. People will be all eyes and ears. They will watch just that one channel, and will keep looking for it. Because they don’t want to miss that moment when something happens – that wicket, that boundary, that divine shot, or that cut, or that miss.
  • And will be discussing it – everyone’s a critic today. Everyone has an opinion. And today, it’s out in the open. To the extent, that they would discuss the ads that feature the cricketers to assess how weird/funny/ridiculous it might be. In some cases, those ad taglines would be used in the context of the match. Imagine Shoaib bowling a bouncer to Sachin and thousands of people quipping – aisi delivery khelne ke liye protection chahiye.
  • In their rooms – Quite like the superbowl, there is a frenzy in metros and villages alike. Inverters/ Batteries/ Generators have been arranged for and charged to ensure that a power failure does not stop them from watching the match. Watch-dos have been organized by people inviting friends/ family/ colleagues. Offices have arranged for projects and audio systems for large hall screenings. And people will be reaching early to get their prized seats early.
  • Or, on the internet – If OZ match was an indication – half the internet generation of India would be tweeting/facebooking about the match, with their emotions out in the open. There will less analysis, and more expression of the moment. Y
  • And will remember – Yes. We may not remember what the boss said this morning. But we are pretty good at remembering that six Sachin Tendulkar hit of Kasprowicz in that Desert Storm innings, or the exact shape of the Venkatesh Prasad delivery that took care of Aamir Sohail. And Sehwag ki Maa stays as one of the most epic ads (in terms of recall) ever. I won’t be surprised if Yuvraj’s Revital and bhaag daud se bhari zindagi might be the next one.
  • If they like or dislike something – the opinions and expressions are not always about things people dislike. It covers the likes, the neutrals, the sharpness or the dimwittedness of the moment, analysis of players, analysis of commentators, ads, presentation ceremony and everything else.
  • And while doing all this, they are consuming! Let’s not forget that these viewers will also be guzzling down large quantities of drinks (Alocholic and non-alocholic) with chips, popcorns, dine-in orders, kebabs, pakodas and what nots. Unless the delivery guy of the neighborhood shop refuses to go for delivery today, or the ever so accommodating mothers and wives decide to join the cricket party.

What you are assured of is an assured and a HUGE number of viewers who’d not flip the channel even as you beam them with the most inane and absurd ads, and there are quite a few of them. What you gonna do that’s gonna leave a name for you? In advertising, there cannot be bad recall, as long as there is recall.
And yes, its also a day where the nation’s collective productivity loss would have most likely offset any commercial return possible. Even the Prime Minister is not working. Yet, wouldn’t the ultimate master of ceremonies say – “People of India, and People of the World, ARE YOU HAVING FUN?”

Is Winning Everything?

It’s a fairly serious question. For someone like me who would like to tell his team every day that its not. Because winning anyway happens while you are trying to become better than yourself. Someone quoted on Twitter the other day – I get worried when people are more passionate about success than being passionate about the things that they love to do.

The debate cropped up yesterday during the India-Australia QF match (where else, but on twitter) with a friend. I have a fundamental disconnect with abusive cricket, people walking down to the batsmen and trying to sledge them out, or generally creating a muck of what’s otherwise such a beautiful feeling of competing to win. And in that sense, a leader which encourages that is more so at guilt than the player who does it. To me, that leader can be a great competitor in the game, but never a legend.

You probably know by now that I am referring to Ricky Ponting. The man is a batsman almost as good as any that most of us have seen in our lifetime. Not surprisingly, Twitter Intellgensia (Twigensia?) was quite unnerved by the boos received by Ricky Ponting, given he is a “legend” with prodigious talent. However, Ricky Ponting needs to ask himself if he deserved that. The answer is a resounding Yes. And its not true just of him. Harbhajan Singh and Sreesanth from our own team deserve some of that whenever they face fans of other countries, because they represent not the game, but this sick notion of winning is everything, and I shall win at any cost. I am sure there are as many quotes supporting Lombardi’s “winning is everything”, as there are opposing with a “how you played the game”. To set the contxt, unlike many, I am not one of those who looks at India’s sledging fest against Aussies in the series down under as – “Damn right, time to give them back” with great admiration. I still believe in a hostile spell of fast bowling shaking the batsman, or some Sehwagian aggression in batting destroying the line and length of a bowler being far more telling than the choicest abuses about who’s mother is sleeping with whom.

And hence, my conclusion is that Ricky Ponting, one of the grittiest batsman today, does not come close to being a true sportsman, for what he lacks is the spirit to play fair and square. If he is so good a player in such an excellent team (which I believe that he is, but probably he himself does not), why hide behind the cover of cheating, abuses, panic and blame-gaming whenever something is not going your way. The question has never been about his batting skills or his prodigious talent or the indisputable champion that Australian team has been. The question is – whether he needs to do what he does to win the game. Most likely, the answer is no. Victory is insecure. Greatness/Legend is not.

And for me, the logic extends to day to day life, office culture, music and theatre and movies, sports, writing, anything and everything. Being a cheat, standing up for cheating, being insecure in your victory are not signs of a great person. And while I can, I will keep reminding myself and everyone that winning is definitely not everything. It’s about becoming better than everyone else, including yourself. And if that does not ensure winning, nothing can.

BTW – The legendary ones are usually not known to be jerks. The keyword is “known”. They still might be jerks.

And remembering Ritesh’s quote – “Paisa khuda nahi hota Mr. Das.. par khuda kasam, khuda se kam bhi nahi hota!” 😉

झील में डूबा चाँद

गई रात हमने चाँद को
झील में डुबो के रखा…
नर्म हो गया,
सिला सिला भी…
जैसे चाय की प्याली में
अरारोट बिस्किट का टुकड़ा
डूब गया हो…

चाँद निगल कर रात गुजारी,
जिगर के छाले और पक गए…
दर्द दबाया,
सूखे कपड़ो से किनारियाँ दबा कर
फुलकों की तरह फूले अरमानों का
तकिया बनाया…

रात बहोत महीन थी…
रात के मांझे से कट कर
चाँद झील में डूब गया था…

Movie Review: Dhobi Ghat

Nope. I won’t even attempt to sound intellectual and say that the movie is great in parts, and the blah blah. Dhobi Ghat did not work for me on Friday night. Dhobi ghat may work for me on Sunday afternoon 3 weeks from now, when I have no emotions attached to a Friday Aamir Khan release. Not when I have just been sitting on meetings all evening, and it is my only way to avoid slowing down my life. And Dhobi Ghat slows down the world around you. Come to think of it, that’s so against the natural spirit of the city that I know as Mumbai.

DUMB ALERT: I would likely look back at the movie five days from now, and I may say that the movie is a good watch. But I was quite bored while I was watching it. For some reason, I could not understand why some people were clapping at the end of the movie. It did not even seem like sarcasm. Maybe, I am not intellectual, after all. What is an investment banking consultant by the way?

What worked:

  • Prateik. Adorable, in the character (for most part) and the saving grace of the movie. Does not seem like a contrived character, not someone you’d want to glorify OR pity, not someone who’s character is clouded in fake conversations.
  • Monika Dogra is reasonably good. But I don’t see how she will move on from that character to any other mainstream character. She can be the next low budget ABCD movie star though.
  • Special mention: background score. For most part of the movie, the movie does not depend on any background score. It uses (apparently), the natural sounds and the stillness of the city. However, wherever there is, it’s poetic.
  • Some of the pictures (still) and the final painting of Yasmeen are beautiful.
  • Some of the camerawork is good, but not as breathtaking as Satya was. To me, Satya still brings out some of the best Mumbai moments on screen (apart from Rimjhim Gire Sawan from Manzil). What’s your favorite?
  • I like the screenplay for about 70% of the movie

What did not work

  • Pace: Extremely slow and uneven. There are times when you almost feel like screaming that you get it, you get it, and we can move forward. But I guess Kiran Rao made this movie as a self-indulgent Sunday siesta movie where pace is not the most important thing for storytelling. The feel and the texture is.
  • Editing: Some of the jumps are extremely jerky. It takes a few reels to get used to the four narratives, and
  • Dubbing: without realizing, I ended up at the Hindi version of the movie. And the dubbing is horrendous. Dubbing is where Monika’s character goes terribly wrong, and Aamir’s character comes out a little better than what it s.
  • Characterization: Aamir’s. Not thought through is an understatement. Seems like this time, Aamir did not get it right. Surprising, for someone who managed to look reasonably convincing as a 19 year old in 3 idiots. Even otherwise, Monika’s character Shai seems lost. I really don’t know why Munna (Prateik) and Shai did not run the final lap. I am not sure why the other random lady in the building keeps calling Munna to her bedroom while Shai (that’s the name, right?) cannot. And who was that random friend of Shai buyind dope? And what was the point of Arun’s (Aamir) family equation? And the casual relationship between Vatsala (Kittu Gidwani) and Arun? And Salim and Munna? To me, the part that worked were Yasmeen and Munna. Surprisingly, Kiran seems more comfortable handling the characters from lower echelons of society (which have anyways been beaten to death by avant garde cinema), but fails to handle the India shining generation. The obsessions and independence of this class are not even semi fuelled.

I can rant about the movie for a few hours. But the net conclusion is – For the want of a better word, its a Bangaali Intellectual movie :). You can IM about it for long, but its dull and its not a movie I’d recommend you watch in theater. But it’s a reasonable one time watch for a Sunday afternoon.

Poem: Phir Phir… (फिर फिर…)

Inspired from a four liner I wrote on FB a few days back…
फिर शुरू होने को है कोई सफ़र आधा सा
फिर कोई हमसे कोई आधी कहानी मांगे
फिर कोई हमसे चार बातों का मतलब पूछे
फिर कोई हमसे बचपन-ओ-जवानी मांगे
फिर कोई मेरी तमन्नाओं के सदके से मुझे चाँद शीशा दे दे
फिर कोई मेरे बुझे ख़्वाबों की ढ़ेरी से उगी शाख का पतझड़ मांगे
फिर मेरी शाम के पोशीदा से साए में कोई चेहरा कहीं रोशन हो
फिर कोई मुझसे मेरी शाम वो रौशन मांगे
फिर मैं कुछ देर तलक रूठ के मुंह फेर भी लूं
फिर कोई मुझ से मेरे चेहरे पे गुलशन मांगे
फिर मैं खुद से ही बातें करता हुआ सो जाऊं
फिर मैं कुछ ख्वाब बुनूं दुनिया से बागी हो कर
फिर से परछाइयों में ख्वाब सा चेहरा बुन कर
मैं उसे मांग लूं, क्यूँ कोई हकीकत मांगे

phir shuru hone ko hai ek safar aadha sa… phir koi humse koi aadhi kahaani maange/
phir koi humse chaar baaton ka matlab pooche… phir koi humse bachpan-o-jawaani maange
phir koi meri tamannaon ke sadke se mujhe chaand ka sheesha de de
phir koi mere bujhe khwaabon ki dheri se ugi shaakh ka patjhad maange
phir meri shaam ke poshida se saaye mein koi chehra kahin roshan ho
phir koi mujhse meri shaam wo roshan maange
phir main kuch der talak rooth ke munh phre bhee loon
phir koi mujhse mere chehre pe gulshan maange
phir main khud se baatein karta hua so jaaoon
phir main kuch khawab bunu duniya se baaghi ho kar
phir se parchaaiyon mein khwaab sa chehra bun kar
main use maang loon, kyun koi haqiqat maange.

Theater Review: One On One (A Rage Production)

I watched “One on One”, a Rage production the day before, and found it to be to quite good.  Given that it’s a collection of 10 short stories, the acts ranged from bad to great, but throughout the 2.5 hour show, I could not find   too many flaws in performances. It probably was the director’s vision of the particular act that did not work for me. And I choose the word “for me”, because there were at least a couple of plays which seemed to be amusing/hilarious for quite a few people in the theater, but not for me.

Act 1- The Bureaucrat

Written by Anubav Pal, and direted by Kunaal Roy Kapur

Excellent Play/enactment. A bureaucrat’s perspective through three points in his career, enacted by three actors sharing the stage simultaneously.  , the three stages of the bureaucrat’s life were played by Anand Tiwari (Youngest), Neil Bhoopalam (middle aged) and Bugs Bhargava Krishna (Old). All three of them were brilliant. Just as he was in Hamlet-The Clown Prince, Neil was quite brilliant in this one too. Anand is a dude to watch out for.  Bugs I think has been around the circuit for a while, and his mannerisms were probably the closest to a bureaucrat’s. Overall,  great.

Rank – 2nd

Act 2 – Kachre Ki Hifaazat

Written by Ashok Mishra, Directed by Rajit Kapur, and performed by Yashpal Sharma.

The team was illustrious, the act was not that great. And I blame the story for it. I liked the use of the white kafan as the prop, and Yashpal probably is one of the finest theater actors from the current lot. But overall, beyond a point, the story was too obvious, and there was no spunk in the flow. Made it a little boring after a while. And I think there were at least a couple of occasions, where Yashpal’s character was too loud, which was avoidable.

Rank – 8th

Act 3 – Bash

Written by Neil La Bute, adapted and directed by Rahul Da Cunha (of Class of 84 fame), and performed by Neil and Preetika Chawla.

This one just did not work for me. Touching on a rather sensitive theme of how homosexuality is perceived as a sickness by many people in the city, and how the inner violent rages take over without us noticing it, there was something terribly amiss with this one. Not the acting for sure. Neil was good. Preetika was quite good as well. But again, barring a couple of moments, rather than portraying the dark side of things, I felt that the play trivialized a lot of the dark sentiments it touched upon.

Rank– 10th

Act 4 – White on White

Written by Maia Katrak, directed by Pushan Kripalani and Enacted by Shernaz Patel and Imran Adil.

I can’t understand why they put Imran in the play, because he just sat there with his back to the audience throughout. Not a dialogue, not a significant movement. He was a prop, and a  non-human prop could have been as good. Shernaz’s performance started a little shaky, but by the end of the act, you could empathize with all her emotions of a mother. The dialogues were a little overbearing and heavy, but I felt Shernaz did a decent job carrying them through. Overall, I would classify it as an average play.

Rank – 6th.

Act 5 – Load-Shedding.

Written by Farhad Sorabjee, directed by Nadir Khan and performed by Anand Tiwari.

Now, this one was hilarious, and executed brilliantly. Anand’s performance as the lamp-post was the finest performance of the evening, his gags were relevant and hilarious, and his closing act with little dialogues and a lot of facial expressions was a clincher. Rather than talk a lot more, I would encourage everyone to go for the inauguration of XYZ International Pedestrian Crossing aani Lamp-post. This one

Rank – 1st, and by  a good margin.

Act 6- Aabodana

Written by Purva Naresh, directed by Akash Khurana, and performed by Preetika and Anand.

Very light, very involved and very flowing. It was a pretty good performance by the leads, and the stories of outsiders struggling to become insiders and losing a lot of their small-townness in the process was very touching. I am sure the connect is stronger for those who are small towners in their heart. Chote se hi Chote shehar me pale-badhe chote log jo bade shehro mein apni pehchaan dhoondh rahe hain (that’s an old campus dialogue between me and a couple of friends). Aab is water and Dana is food, btw.

Rank – 5th

Act 7 – Hello Check.

Written and Directed by Rahul Da Cunha, and performed by Anu Menon (Lola Kutty of Channel V).

This one was the second worst of the lot. And I tried to like it this way or the other, because there were a whole bunch of people around me who were in splits, I just could not get myself to connect with the party of a socialite inventing acronyms for all kinds of societies that she had joined.  The only funny part of the play was MNS – Murder Navjot Sidhu.

Rank – 9th, and I don’t want to talk about this one!

Act 8 – Dear Richard –

Written by Oliver Beale, adapted by Nadir Khan and Akarsh Khurana, Directed by Nadir, and performed by Rajit Kapur.

Its an open letter to Richard Branson about the quality of inflight services aboard a virgin flight, and uses a whole lot of pictures to talk about the plight of a loyal passenger. The play was trivial, the acting was top-notch. The adaptation to Indian context was equally hilarious. A little over the top, but Rajit pulled it off with his performance.

Rank  – 6th

Act 9 – Creado, Constance

Written by Joanna Murray-Smith, adapted and directed by Arghya Lahiri, and performed by Shernaz Patel.

I found it to be a very interesting and moving play, about the life of a widow coming to terms with life by being involved in too many things to kill her loneliness, and then finding liberation in a different relationship. Shernaz was brilliant, a lot more brilliant than the WoW act earlier.

Rank – 4th

Act 10 – Instant Behosh

Written and directed by Rahul Da Cunha, and performed by Amit Mistry.

I completely recommend Amit Mistry to anyone (from the time I saw his acting in Shubh Mangal Savadhaan), and feel that he is a talent who’s not been used much by the industry. This guy has elevated almost any play that I have seen him be a part of, including some really ridiculous ones.

This play is about a terrorist who does not want to be a terrorist, and is a funny take on terror, terrorism and Pakistan. There is a bit on the Indian media as well, where thinks that Kasab after the trial and everything, will soon be invited to Big Boss and will be the next winner too.

Ranked – 3rd. This one worked very well for me, though  it depended a whole lot on Mistry’s performance. Otherwise, it could have been a Rank2 for me as well.

In short, I think One on One is definitely a good investment for your evening. Many small acts that you will relate to (not necessarily the ones that I liked), and if you go on a weekday, the tickets are for 80 bucks only.  I guess the play is on till the weekend as well. So, go ahead, enjoy…. It’s a fun ride.

Afterthought – Is this only me who cannot relate with my fellow audience when they start laughing everytime an actor utters an expletive on stage, and more so if it’s in hindi. All the “teri maa..”, “behan..”, “C…” etc. are apparently very hilarious. How so? What joke did I miss?

उसकी खामोशी: Uski Khaamoshi

वो जब उदास होती है
खामोश हो जाती है

जैसे एक तालाब के पानी में
महीनो से किसी ने पत्थर नही मारा
ना कभी हवा चली हो
और ना ही उस तालाब में कोइ मछली हो
ऐसा मरघट जिसमें न किसी कि आहट आयी हो
न किसी की आवाज़

ऐसी खामोशी
दो पल तो खूबसूरत लगती है
फिर चार पल को डरावनी..

मगर फिर मेरी आहट से
जो हलचल होती है
पानी के गोल घेरे पडते हैं
एक छन से टूटे गिलास के टुकडे की आवाज़ की मानिन्द
खामोशी को और भी खूबसूरत कर देती है

और ये लुक छिपी का खेल
सूरज और चांद की तरह
आगे पीछे चलता रहता है
क्योंकि जिस वक्त ये दोनो मिलते हैं
चाहे वो शाम हो या सुबह कि लाली
वो वक्त
बहोत खूबसूरत होता है

wo jab udaas hoti hai
khamosh ho jaati hai

jaise ek taalab ke paani mein
mahino se kisi ne pathar nahi maara
na kabhi hawa chali ho
aur naa hi us talaab mein koi machli ho
aisa marghat jisme na kisi ki aahat aayee ho
na kisi ki awaaz

aisi khamoshi
do pal to khoobsurat lagti hai
phir chaar pal ko daraavani..

magar phir meri aahat se
jo hulchul hoti hai
paani ke gol ghere padte hain
ek chan se toote glass ke tukde ki awaaz ki maanind
khaomoshi ko aur bhi khoobsurat kar deti hai

aur ye luka chipi ka khel
suraj aur chaand ki tarah
aage peeche chalta rehta hai
kyonki jis waqt ye dono milte hain
chahe wo shaam ho ya subah ki laali
wo waqt
bahut khoobsurat hota hai

Short True(?) Story FW: Worth Reading!

Absolutely worth reading once. Doesn’t matter if it’s true or not. It takes very little to make someone happy… and sometime, that’s worth more than a million achievements.

Subject: FW: Worth Reading!

A True Story……worth spending few minutes to read……

"My wife called, ‘How long will you be with that newspaper? Will you come here and make your darling daughter eat her food?

I tossed the paper away and rushed to the scene. My only daughter, Sindu, looked frightened; tears were welling up in her eyes. In front of her was a bowl filled to its brim with curd rice. Sindu is a nice child, quite intelligent for her age.

I cleared my throat and picked up the bowl. ‘Sindu, darling, why don’t you take a few mouthful of this curd rice? Just for Dad’s sake, dear’.

Sindu softened a bit and wiped her tears with the back of her hands. ‘Ok, Dad. I will eat – not just a few mouthfuls, but the whole lot of this. But, you should…’ Sindu hesitated. ‘Dad, if I eat this entire curd Rice, will you give me whatever I ask for?’

‘Promise’. I covered the pink soft hand extended by my daughter with mine, and clinched the deal. Now I became a bit anxious. ‘Sindu, dear, you shouldn’t insist on getting a computer or any such expensive items. Dad does not have that kind of money right now. Ok?’

‘No, Dad. I do not want anything expensive’. Slowly and painfully, she finished eating the whole quantity. I was silently angry with my wife and my mother for forcing my child to eat something that she detested.

After the ordeal was through, Sindu came to me with her eyes wide with expectation. All our attention was on her.
‘Dad, I want to have my head shaved off, this Sunday!’ was her demand.
‘Atrocious!’ shouted my wife, ‘A girl child having her head shaved off? Impossible!’
‘Never in our family!’ My mother rasped.. ‘She has been watching too much of television. Our culture is getting totally spoiled with these TV programs!’

‘Sindu, darling, why don’t you ask for something else? We will be sad seeing you with a clean-shaven head.’

‘Please, Sindu, why don’t you try to understand our feelings?’ I tried to plead with her.

‘Dad, you saw how difficult it was for me to eat that Curd Rice’. Sindu was in tears. ‘And you promised to grant me whatever I ask for. Now, you are going back on your words. Was it not you who told me the story of King Harishchandra, and its moral that we should honor our promises no matter what?’

It was time for me to call the shots. ‘Our promise must be kept.’

‘Are you out of your mind?’ chorused my mother and wife.

‘No. If we go back on our promises, she will never learn to honor her own. Sindu, your wish will be fulfilled.’

With her head clean-shaven, Sindu had a round-face, and her eyes looked big and beautiful.

On Monday morning, I dropped her at her school. It was a sight to watch my hairless Sindu walking towards her classroom. She turned around and waved. I waved back with a smile. Just then, a boy alighted from a car, and shouted, ‘Sinduja, please wait for me!’ What struck me was the hairless head of that boy. ‘May be, that is the in-stuff’, I thought.

‘Sir, your daughter Sinduja is great indeed!’ Without introducing herself, a lady got out of the car, and continued, ‘that boy who is walking along with your daughter is my son Harish. He is suffering from… leukemia’. She paused to muffle her sobs. ‘Harish could not attend the school for the whole of the last month. He lost all his hair due to the side effects of the chemotherapy. He refused to come back to school fearing the unintentional but cruel teasing of the schoolmates. Sinduja visited him last week, and promised him that she will take care of the teasing issue. But, I never imagined she would sacrifice her lovely hair for the sake of my son! Sir, you and your wife are blessed to have such a noble soul as your daughter.’

I stood transfixed and then, I wept. ‘My little Angel, you are teaching me how selfless real love is!"

Why r Indians Re-born ? GOOD ONE !!!

Quite funny (Via Deepti)

this is really funny

Why only Indians are re-born ?

The angel Gabriel came to the Lord and said ‘I have to talk to you. We have some Indians here in heaven and they are causing problems. They’re swinging on the pearly gates, my horn is missing, they are wearing Dolce and Gabana saris instead of their white robes, they are riding Mercedes and BMWs instead of the chariots, and they’re selling their halos to people for discounted prices. They refuse to keep the stairways to Heaven clear, since they keep reaching down midway eating samosas and
drinking chai. Some of them are even walking around with just one wing!’

The Lord said, ‘Indians are Indians. Heaven is home to all my children. If you want to know about real problems,give Satan a call.’

Satan answered the phone, ‘Hello? Damn, hold on a minute.’ Satan returned to the phone, ‘OK I’m
back. What can I do for you?’

Gabriel replied, ‘I just wanted to know what kind of problems you’re having there.’

Satan says, ‘Hold on again. I need to check on something.’
After about 5 minutes Satan returns to the phone and says,’I’m back. Now, what was the question?’

Gabriel said, ‘What kind of problems are you having down there?’

Satan says, ‘Man, I don’t believe this! Hold on.’

This time Satan was gone at least 15 minutes. He returned and said, "I’m sorry Gabriel, I can’t talk right now… These Indians are trying to install air conditioning and making hell a comfortable place to live in by putting out the fire. Since they are so tech savvy, they were trying to start a telephone connection between heaven and hell…I am having such a hard time controlling and dealing with them!! Some were trying to start a chai – pakora shop, which I had to stop…

As a clincher, Satan then said, "I am requesting the Lord to send them back to earth as soon as they arrive as re-birth cases".They are really difficult to handle.

Faded Memories: Playing Cricket circa 1994, with Mahi.. or… Dhoni(?)

It was 1994. One year since I moved from Kendriya Vidyalaya, the government school that I was used to studying at, to DAV Shyamali in Ranchi. End of my standard 9th exams, a below average academic year by the standards set for myself, in a new school, and a notice on the notice board which talked about an upcoming cricket camp during summer vacations, I joined the camp. I guess more because it was cricket, and twice a day, than the fact that it was a camp.
That was first time I changed from being a backyard gully cricketer which probably 90%+ of school going boys were in those years, to someone who took (or wanted to take) cricket a little more seriously. And that was the time I met my cricketing quad – Anil Singh, Niraj Singh, Mahi (Mahendra Singh Dhoni) and myself. The camp was for 12-15 year olds. I was 14 then, and Mahi was 13. Niraj and Anil were my classmates.
Note: We still remember him as Mahi. His earlier cricket records from school league would mention Mahinder Singh. Not Dhoni. And yeah, it’s not the punjabi way of saying MAAAAAHI. It was Mahi, simple, with a very very short emphasis on ‘a’ (the ma of Maa – mother vs. the ma of Mandir). Or more ruggedly, “ka re, ee mahiyaa kahan hai”, which was not the mindblowing Maahiya kinds. It was the bihari Mahiyaa (with a very short emphasis on the first “a”).
The quad? because the four of us played for the DAV cricket team the same year. Anil was a left arm fast bowler, with a very nice angling run-up (Mitchell Johnson kinds) and had a natural outswinger. But too inconsistent, and too prone to nautanki (like trying to invent a left arm version of Kapil Dev’s vintage bowling pose). Niraj was a leg spinner who also batted up the order. Mahi was a keeper batsman (used to come in at 1 down or 2), and I was an off-spinner (the most lowly of breeds in the game of cricket).

In a short stint, I did well (I had my own off-spinner’s version of Anil Kumble – run up to the crease, jump, and pace – full package deal). That was the era, when India used to have spin trios all the time (Raju, Kumble, Chauhan kinds). So, having bowlers like me, Niraj et al in school league, which was more about slam, bam, thank you ma’m, was not a misplaced error from the selection committee.

Those of you who’ve followed ‘Dhoni’ would remember K R Bannerjee, the school teacher who moved him from soccer to Cricket. Though, in my memory from 1994 onwards, I don’t remember Mahi ever playing football/soccer that seriously. All my memories of him are of him playing cricket with me and the school team folks, or of him playing cricket with the team which had my brother and the likes of Tunna. But then, I must be wrong about his simultaneous calls from district level cricket and football being an urban legend.
We used to live in Mecon colony in Ranchi, and Mahi’s house was in the lane behind our house. J block. And, my brother was his tennis ball cricket team-mate ( they won a few local tournaments together), and I was his leather ball/school league cricket team mate (we also won a few tournaments together).

Back then, like his earlier years in international cricket, he was a mercenary batsman. Few snapshots I remember very vividly from 1994-1997 era- hitting Subroto Banerjee (who had just come back from an India team outing) for a six towards the square leg boundary (the ball landed on top of a huge water tank, several storeys tall a couple of blocks away from the stadium), hitting the double ton in school league final (a 35 over match), hitting 5 sixes in the space of 10 balls in a day-night tennis ball tournament (where for some weird reason, he had not come in at his usual 1 down, and had come pretty late down the order). One of those sixes was a hoist over cover boundary (and believe me, its not very easy with a tennis ball, when playing under dim lights).

The only thing I had in common with him was the devil may care attitude about our game. Hit me for a six, and I would hardly be flustered. Get him out first ball, or beat him three balls in a row, he would hardly be flustered. And he would have the widest grin for everything. That is something still seen on TV. Though I dont remember seeing him get angry about anything back then. He does now. Guess the stakes are too high now.

A batch junior to me in school, and with our limitations limited to the cricket ground and thereabouts, he was the usual 9th standard Ranchi kid back then. Always up to some mischief or the other, had a wise-crack for almost everything, was interested in the girls around, but probably hadn’t talked to more than a couple, loved batting more than keeping, loved taking a single off the last ball to keep the strike, and avoiding doubles even when the opportunity would be for a quick three. Don’t remember him as someone who’d walk away with his bat if he got out early. He also wanted to hit more boundaries than take runs. And he could run the first run really quickly, if it was the first delivery of the over.

There aren’t a lot of outings we had together. Why? I was from a background where hopes resided on my academic abilities more than my athletic abilities. My brother anyways was a much better cricketer than me, and had succumbed to the ways of preparing for engineering entrance examinations long before me. Though, to be fair to myself and everyone else, I did play a few important matches during that year’s school league, and had the call to join the district team. Its a different matter that the final round of NTSE exams on 14th May 2005 coincided with the district team training and selection camp. That being said, the outings we had together, we never dropped a game. And in some of them, I did play my part as well.
So, starting with the camp, I took 7/12 in the final match of the camp, and Mahi scored 43 of 30 odd balls. I think he took 30 odd balls because Jitendar Bhaiya (the wicketkeeper of Mecon cricket team who was running the camp) had threatened him with repercussions if he threw his wicket away.
In the school league finals (under 15), I took 3/22 in 6 overs, after he scored a double ton against my earlier school, Kendriya Vidyalaya. School league finals (with oldies), I had taken 4/23, while he scored a half century.

We went to the DAV east zone selections together, where we both got selected. It was the year, when the trials had happend in torrential rains. For one of the catches during fielding trials, I had skidded a distance of over 15 feet, involuntarily I must add. Anyways, I was considered as a bowler who had pace variations, a nice loop, and a nice dip. It’s a different matter that I took up off-spin bowling because I did not have the height or arm for pace bowling, and unlike Kumble I was conceptually against building a career in spin bowling, unless I could actually turn the ball. For him, there were no adjectives. He came, played for his trials in the nets, and there was a tick. No one asked a question, no one gave any answers.

By the way, the only time I remember batting in a match in those scattered matches across two years (I did not play much after 1995), was in an internal match where he was in the other team. For the record, I did not get him out in that one, but conceded only 15 runs from 4 overs for 2 wickets. Some achievement, huh?

Fading memory – me and my brother talking about him in 1999, when he had started playing for Bihar/ Railways. Our fear back then was that even if he survived the politics of Bihar cricket (you had to be a favorite of Deval Sahay to be in the Bihar team), it would be difficult for him to survive the national cricket/zonal cricket politics and reach the Indian team. And this was the era, when the teams world over had brilliant wicketkeeper-batsmen (Andy Flower, Alec Stuart, an emerging Gilchrist, etc.), and we wanted to place our bets in him. Bhaiya felt that he was not as good a wicket keeper, but his batting should have been enough to get him the slot, if there was no politics.

BTW, that just reminded me of an incident that a colleague of mine narrated about Devang Gandhi. When he got selected for the Indian team as an opener, apparently, Sadagopan Ramesh missed out. At that time, the culture of Ranji was that you played more cricket within the zone, which mean that DG (from Bengal) would play more against Tripura, Orissa, et al. DG was scoring heavily at that time in Ranji. SRamesh quipped – against teams like that, even Mahatma Gandhi would have scored a double century.

Anyways, almost everyone that we know from those years in Ranchi, like Kaushal or Deepak et al, they’ve all met him post his rise to stardom, and they all say that he is still the same. The wickedness and the nicety in the same pack. And its good to see him rise so much. It’s a small town story that we see in movies. He really did not have a kit full of bats, or a car dropping him for nets or a set of boots (one for batting and one for keeping). He often played cricket wearing canvas shoes (or chappal, for tennis ball cricket). But he was brilliant then. And he is excellent now, in a different way.

Found: Long Lost Post on Tambrahms by Bee

Not sure if some of you have ever read it.. but this one was just brilliant.. Bee’s occasional blog then (bee.theblog.net) seems to have died a domain death since then, and so the article is lost to the internet generation. But after some link-digging, I found the article, and bring it to you for your reading pleasure ..

http://bee.theblog.net/sachin/2006/02/10/the_species_semi_autobiographical_sadly
(Its a dead link, btw)

*************************************************************************************************

Have you met someone who is reasonably tall, fair, with a reasonable build (sometimes frail, but never well-built), a tikka on the forehead, and a self-righteous expression on their faces in your college premises? If you still haven’t placed this species called Tambrahmo Sapien, I will describe further characteristics of this species.

The members of this species perform well academically, are generally religious, are sought after for their views, have an opinion on most things under the sun while simultaneously being non-judgmental, and frequently wear an "I have not been given my due by this world" expression on their faces. They are also consciously self-effacing (aka painfully modest) about their achievements (generally academic)

The members of this species have a strong desire to be with fellow species’ members though they are socially ‘accepted’ in other groups as well. When 2 Tam Brahms meet, they discuss a third, when 3 meet they discuss other species’ members, when more than 3 meet, they discuss topics like ‘Changes in socio-cultural patterns of urban India fuelling prosperity in rural India’ or ‘the inherent fallacies in the parliamentary democracy system’ with their collective decibel levels of discussion varying in direct proportion to the proximity of non-tam-Brahms, especially those possessing XY chromosome. A lone tambrahm has this brooding intellectual look about him giving an impression that he is trying to mentally divide 233 by 17 while he is actually benchmarking himself vis-à-vis other tambrahms and later on with other homo sapiens as well. This is a favorite pastime of the Tam Brahms.

They are fiercely competitive but are repulsed by the notion of relative benchmarking and frequently proclaim (with a sigh of relief) that they are glad that they didn’t get sucked into this rat race. That the tam-brahm knows the re-evaluated score in the second cycle test of the little known character with whom he has spoken to exactly twice before in his life is pure coincidence.

When tambrahms are locked in conversation, they laugh at jokes like ‘Even if you win the rat race you are still a rat’ and ‘statistics are like Bikini, they show a lot but not what you want to see’ but only so much a smile politely at sardar jokes or gujju accent jokes. Not that they mean ill to surds or gujjus, it is just that they have a far more refined taste than that.

They also revel in the knowledge of their own refined taste in art or literary forms and consciously move towards ‘better’ books rather than wasting time in mundane ‘pulp’ fiction. They are wont to make statements like ‘yeah, I used to read Sidney Sheldon when I was in class IX and X. I don’t know why but I used to like them a lot. Sheldon is pure pulp. You read 3 and you can write the 4th. Now, I am glad that I have graduated to Ayn Rand, PG Wodehouse and The Economist’. All this to a poor soul who has just told him that he liked a Sheldon novel that he had read the previous night. After a pause, the tambrahm follows his speech up with "yeah, I read that book and liked it too. Typical, but ok. If you are a Sheldon fan, it’s a great book". The well-kept secret of Tam Brahms is the fact the Tam brahm himself struggled his way through 985 pages of ‘Atlas Shrugged’ precisely for deriving the satisfaction of making the above statements.

Now, where is the catch? What is it that this species lacks? They are academically good (some are ‘gifted’), socially accepted everywhere, well-sought after for their views on everything, adored by even the girls, are considered smart and sincere, are on the right side of ethics and teacher’s favorites.

Wait a second; God isn’t all that kind to anybody. These guys have their share of problems too. In most cases, they are too good for themselves. When it comes to academics, their parochial attitude keeps them on the edge; in sports, upbringing and dietary constraints kill them; in social life, their pseudo-intellectualism does them in, but their biggest problem lies with their performance with girls. They generally get slotted into ‘Oh, he is a deeeeeaaaar friend’ or ‘I can always count on him for a chat after I have had a tough day with my boyfriend(s)’, or in really rare and sad cases ‘If only I had met him earlier’.

There is also a bunch of lads who slot into the between n and n+1 category, but more on that later.

Back from hibernation

It’s been a while since I posted. And as Confused points here, at times, it almost feels like starting afresh.

Anyways, it’s not like I have stopped watching movies, reading books, meeting people, or having thoughts. It’s just that I haven’t felt like writing for a while. Or rather, not felt like typing even when I felt like writing. Tonight is different. For reasons hitherto unknown to mankind (and myself), I am back with (hopefully) a short post.

The update is that biwi Is in Bangalore now. And we are back to meeting over the weekends. Married people can’t stop pointing to the positives of it, and others do not stop sympathizing over it. Bosses, a third group altogether, do not stop worrying about the possibility of my attrition now that biwi is not in Mumbai.   Like always, everyone’s right. It’s just a matter of perspective. And I did my MBA a few years back. SO, I do have multiple perspectives on this matter. But that matter is a different matter and shall be perspectivized some other time.

Just to get my groove back, let me share my reading list for the last few weeks/months that I have not been writing much during. It’s often said that the books you read and like reflect your personality. Well, here is mine.

  • Vengeance of Ravana (Book 7 of Ramayana Series by Ashok Banker – Recommended for those who’ve read the first 6. I would strongly recommend the first 6 first)
  • The Client (Grisham – Good, but passable)
  • Matheletics (Prof. Winston, whom I had the pleasure of meeting in November. Interesting for math and analytics buffs)
  • The 65 Lakh Heist (translated version of Surinder Mohan Pathak’s 1977 classic. Recommended for Bollywood and potboiler lovers)
  • Gods of War (Ashok Banker – passable/avoidable)
  • 30 pages of a M&B (I finally decided to steal one from biwi’s collection to understand why these are so popular with women. My take for “man” kinds – definitely avoidable)
  • The Mckinsey Engagement (Paul Friga) – Recommended for budding consultants
  • Stardust (currently reading, by Rupa Swaminathan (seems interesting so far (first 70 pages, that is)
  • Snow (Orhan Pamuk – for those who like John Steinbeck kind of stuff), amongst others.  I loved it, but at the same time, was extremely disturbed by the time I finished reading it).

More importantly, I finished reading a few comics mini-series –

and have started reading

All of these came with strong recommendations. The recos were right. All of these are excellent, with V and Identity Crisis being my favorites so far.

I also read Super Commando Dhruv’s “Dhruvishya” and “Aakhiri Dhruv”, which in my view, were quite crappy. I miss the originality of the earlier comics of Dhruv Series. The quality of artwork has improved, but the stories have gone from bad to worse.

And in case I never mentioned, I read MAUS – A Survivor’s Tale a little while back, and its phenomenal. Must read!

Now that you know what my latest personality is like, what is your reading list looking like? Anything you’d like to recommend?

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