Movie Review: Om Shanti Om

It’s a weird feeling to be writing a blog post after so long. Not surprisingly though, to voice my opinion of the haute news in town – Om Shanti Om. But that does not mean that I haven’t been watching movies lately. Its just that I have been terribly busy lately. Busy is not new for me. Terribly busy happens all the time. But this has been the worst possible spell ever of busy-ness. Saluja would have been proud to see me putting so many night outs. Something even Inductis could not do with such frequency.
Back to OSO, a tribute to the yesteryears (that part is similar to how Main Hoon Na was done) and an open admiration of SRK, is definitely watchable. You smile almost throughout the movie, but at the end of the movie, you have this weird expression in your mind which is that of your squint eyes staring at you and saying, “Well…..”.
Deepika Padukone impresses in her debut. She does what she can do really well – she looks gorgeous. However, she does what I did not expect a lot of – manage her way in the acting department.
Shreyas Talpade, as usual, is subtle and good. Kiron Kher, as usual, is loud but good.
Most importantly, SRK is, as usual, LOUD, hamming, but quite unusually, fitting. It’s a role that let him be – an over-actor, with an ease that can only come when you’re not acting!
The movie is a mish-mash of Karz, Madhumati, with plenty of spoofs (like The Great Indian Laughter Challenge), quite a few gaping voids (people leaving the hot shot producers to lie on the floor just when a mishap has happened), some great editing (I loved the shots where DP is dancing with Sunil Dutt (not Sanjay Dutt) and old-time Rajesh Khanna and Jeetendra, average to good music and a lot of masala. Comments on the industry cannot be missed – be it a Sooraj Barjatya searching for cliché dialogues, or the subtle reference to some star sons being superstars by virture of being star sons (read- Abhishek Bachchan), or the dominance of Khans and Kapoors in the industry. The best comment is when a director Partho Roy (reference to great Bengali directors) who has put in three cameras – one for Bimal Roy angle, one for Satyajit Ray angle and one for GuruDutt angle is suggested by Mukesh Mehra (Arjun Rampal playing a producer – Prakash Mehra?) – ek Manmohan Desai angle daal do, wahi kaam aayega! This definitely comes across as Farah Khan’s way of deprecating the industry/her comrades to create some laughters – just as dada (Subhrajyoti Ghatak) would do.
Story – Beaten to death reincarnation story, cameras panning in from all angles to remind the protagonist of his forgotten past life, a white-haired mother leaving no chance for cracking melodramatic monologues, a friend who’s grayed with the age and believes in his friend, a spirit who manifests just at the right time to seek her revenge, even as things are being kept as human as possible. A villain who conveniently commits a murder and leaves the country to return 30 years later where his past is waiting for him. Oh-so-convenient. Its not the story where the effort is put. The story is conveniently taken off from Karz, Madhumati (yeah! she thought I wouldnt notice!), chala murari hero banNe and the likes. It’s the screenplay and editing where the effort has been put.
Screenplay and editing – Good. Better than above average. Good comments, spoofs and humor.
Music – Ajab Si and Main Agar kahoon are definitely above average. Rahat’s Jag Soona Soona Lage is standard Rahat Fateh Ali Khan fare – soulful, nice, but wont make it as big as Saiyaan (Ta Ra Rum Pum) or Mann Ki Lagan. updated (11-Nov) – won’t make it as big as his previous songs (like Mann ki Lagan (Paap) or Jiya Dhadak Dhadak Jaye (Kalyug).  (Khan – Thanks for pointing out. My mistake!!)

Overall – Definitely watcheable once. Don’t go by my cribs. I think it’s a director’s movie. She has played it by her creativity which is weird and funny. And she has done a tremendous job of editing. Actors are fitting. Everyone fits. Even the over acting kkkkkk.. Khan. .. shahrukh khan.

and on that note -I do want to watch Saawariya. Despite the complete snubbing it has got from many reviewers. 1. Its based on Doestoevsky’s White Night. 2. It wont disappoint me on a couple of counts – Great camerawork and sets, and some great imagination.

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About Amit
Conventional, boring, believer, poet, Shayar (to be precise), lover of music, musical instruments, and all that can be called music (theoretically or metaphorically), jack of all master of none, more of a reader less of a writer, arbit philosopher, foolish debater.. and many more such things.. like so many people!

6 Responses to Movie Review: Om Shanti Om

  1. Pingback: Movie Review: Singh is Kinng « Missing Economy of Words

  2. rajk says:

    Wondering if you did watch Saawariya….I liked it…for the reasons you cited…Waiting to read your review…Will write mine soon..

  3. Amit says:

    Khan/Fasahat – Thanks for pointing out. Rahat’s not sung Saiyaan. I think thats sung by Vishal.

    I think Jag Soona is nice.. but nay! not as great as some of the other songs sung by Rahat. Check out O Re Piya in aaja nachle. Its back to Rahat’s best.

  4. fasahat says:

    Saiyaan (Ta Ra Rum Pum) is not by Rahat fateh ali khan who have written this riwew i think ho dont know any thing
    Rahat fateh ali khan’s jag sona is a nice song

  5. khan says:

    sayan is not by Rahat fateh ali khan and jag sona sona i think its an exellent song by Rahat fateh ali khan

  6. Rupesh says:

    I watched it yesterday… it’s a crap…!

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