Special 26: Smart, Tight, and Busy
February 8, 2013 Leave a comment
When the previous outing of a Director is a movie like A Wednesday, you’re bound to have very high expectations. A Wednesday brought on screen the feelings of a large majority of people without making a political mess of it all.
Special 26 does not appear to be a moralistic or a social commentary. At its heart, it’s a heist movie. However, somewhere, there is a very strong comment on the Indian governmental institutions. About how a man with a gifted mind, takes on the system, cons it, uses it for his own benefit, but has an ethical aspect to his actions all the same. It’s a movie that makes you root for the conmen. And its comical in how easy, or ridiculously simple it might be to con the system. I am surprised that CBI endorses the movie in a way, through the opening disclaimer. Or, did Neeraj con them into not getting offended by the movie ☺
Simply put, it is one of the best heist movies from India. The Ocean series kinds. I don’t remember another one. Bunty Aur Babli? Not quite.
Airtight script leads the way. Set in 1987, with a good use of older parts of the cities, some digitally recreated/ superimposed shots, the movie is inspired by some true reported stories about how some conmen posed as CBI officials and conducted false raids on some businessmen.
Good no-frills editing keeps the movie well paced. The movie cuts between scenes quickly. The dialogues are short, crisp and witty. Barring that odd-ball Punjabi song in the first half, I am struggling to snip out any unwanted parts. The details of every city captured in that 1987 era are quite accurate. And to see Gyani Jail Singh on screen was a nice moment!
Acting nails it. Anupam Kher is mindbogglingly brilliant in the movie. Just watching his body language evolve from scene to scene should be good training for body actos. Here is someone who is a complete antithesis of Katrina Kaif who, for the records, looks exactly the same irrespective of the movie or the emotion or the occasion. This is the first Akshay Kumar movie that I have dared to see in a long time. I have skipped his last 10 movies I believe. And never regretted it for a moment. But this Akshay Kumar reminds you of the Akshay Kumar of Sangharsh, the time he did come across as an actor and not a buffoon. He is a revelation. Manoj Bajpayee, Rajesh Sharma, Jimmy Shergill are rocking. Jimmy is in a rehash of his cop role from A Wednesday. Grumpy, quiet and adequate. Manoj Bajpayee is leaner, meaner and awesome. Rajesh has a small role this time, but he scores. The one who outscores these guys with just 3 dialogues in the movie – Divya Dutta. I don’t know why Kajal Agarwal was needed for this movie. Waste of time. Now I know what I’d have snipped from the movie.
The detail that did not always go right – Airport! ☺ With so many shots of the airport, having the current airport showcased as the 1987 version was a bit of a sadness.
And that’s all I will say without posting any spoilers.
The movie keeps you on the seat, and thinking. And it’s a very smart movie. And as most of the readers of this blog might agree, Bollywood has a serious dearth of smart movies. So. Go ahead. Enjoy the movie. Once the plot is revealed, I am sure it’d still remain a good second time watch. Why, you ask? The level of detailing for everything that you are going to notice in the second run, that’s why. Thank you Neeraj Pandey for another awesome movie.
Rating: 4 on 5.